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Saturday, December 11, 2010

Tattoos & Tequila


No, that’s not a two-item list of debauchery beginning with the letter “T.” It’s the title of Motley Crue lead singer Vince Neil’s new book and like his band’s reputation, it doesn’t hold back. Released as a literary accompaniment to his new album of the same name, Tattoos & Tequila is Neil’s tell-all book of the life and times of one of rock and roll’s most decadent and infamous lead singers.

Although Motley Crue originally told their story in the New York Times best seller The Dirt, the book was written by all four band members with the help of Neil Strauss, not just one specific band member. As far as The Dirt goes, there is a reason why that book was a New York Times best seller – it was that good. I remember buying it one day and being unable able to put it down until I finished it - and it wasn’t short. Apparently telling the story of four self-destructive musicians who defined the decade of decadence took a few hundred pages. No problem – I literally couldn’t put it down.

My point is that if you are a Motley Crue fan and already read The Dirt, you should still read Tattoos & Tequila because like the cover says, it really does bring you “to hell and back with one of rock’s most notorious front men.” While Neil clearly had his choice of women, booze and drugs for most of his life he also dealt with killing a good friend and injuring two strangers in a drunk driving accident and watching his four-year-old daughter die of cancer. He also has gone to rehab more times than he can count and is on his fourth wife. For all the success, fame and decadence there were some serious consequences that Neil faced.

While many people roll their eyes at me when I tell them how much I like Motley Crue there is something to be said about a lead singer who looked and sounded like a girl but still put off this macho, badass image while hitting the high notes, a drummer who was as lawless as he was talented, a bass guitarist who was a tortured writer and severe drug addict and a lead guitarist who has pretty much suffered from chronic pain for as long as he can remember. They all came together and put out some seriously amazing rock and roll records. If you’re not a Motley Crue fan try to put aside the 80s hairband stereotype and listen to songs like “Kickstart My Heart,” “Dr. Feelgood” and “Too Fast For Love.” It’s good stuff and regardless of the haters who shun Motley Crue for being cock rock or glam rock or whatever – those guys can play their instruments and Vince Neil can sing.

Tattoos & Tequila begins with an intro by co-author Mike Sager and here are a few of my favorite quotes where he describes Vince Neil:

“Androgynous sex symbol during the early years of the gender-bending eighties.”

“The 1987 Aerosmith classic, ‘Dude Looks Like A Lady,’ was written after Steven Tyler and Joe Perry spotted Vince in a bar and mistook him for a hot chick.”

“He was the show.”

From Co-manager of Motley Crue, Doc McGee:

“Vince was an aggressive, over-the-top frontman. That band was just so aggressive…they thought they were above the law.”

“They just went out there and turned it on. There was no dimmer switch. It was awesome.”

“They just took no prisoners”

Motley Crue Statistics:

In August 1985, Theatre of Pain hit number six on the charts, the highest of their albums.

“Home Sweet Home” became MTV’s most requested video in November 1985.

In May 1987, “Girls, Girls, Girls” peaked at number 12 on the US charts, the highest placing yet for any Motley Crue single.

The album of the same name soon followed – entered the Billboard 200 at number five, the highest positioning of a metal album since Led Zeppelin’s The Song Remains The Same, almost a decade earlier.

In August 1989, the single “Dr. Feelgood” reached number six on the Billboard chart. First gold disc for a single and the album of the same name hit number one on the Billboard charts. By November 1989 the album hit double platinum with two million copies sold in the US.

Final quote from Vince Neil:

“Motley Crue: We started something great. But we also created a monster.”

Saturday, December 4, 2010

It's Grammy Time!


Out of all the award shows we are bombarded with on an annual basis my favorite, without a doubt, is the Grammys. When I started this blog almost a year ago the first post I wrote was about the Grammys so in a sense I could say that the show was my initial inspiration for all of this.

Anyway, the Grammys is my favorite award show of the year because of the performances of course but also because this one has the ability to solidify and legitimize an artist’s career. Whether the artist is brand new or has been around awhile, getting a Grammy matters. Even if artists have said in previous interviews that awards don’t matter and it’s all about the music, the fans and God, trust me, this one matters.

The Grammys are comparable to the Academy Awards in that once an actor wins an Oscar their names will forever be introduced as “Oscar Winner _____.” The same goes for musicians who win a Grammy and I can imagine that there is nothing better than being introduced as “Grammy Award Winner ____.” There is a reason why the Grammys are called “music’s biggest night” – it’s because winning this award is a very big deal. So, here are this year’s nominees and my picks for the winners:

Album of the Year
Arcade Fire - The Suburbs
Eminem - Recovery*
Lady Antebellum - Need You Now
Lady Gaga - The Fame Monster
Katy Perry - Teenage Dream

*There is no question that Eminem should win this category. Recovery is gutsy, melodic, tells a great story and features one of rap’s biggest stars at his finest. I guess you can call it a comeback.

Record of the Year
B.o.B (featuring Bruno Mars) - "Nothin' on You"
Eminem (featuring Rihanna) - "Love the Way You Lie"*
Cee Lo Green - "Fuck You"
Jay-Z and Alicia Keys - "Empire State of Mind"
Lady Antebellum - "Need You Now"

*This is a tough one since there are three strong choices including “Love the Way You Lie,” “Fuck You” and “Empire State of Mind.” This year was definitely the year of the rappers/lady hook masters so I’m thinking Eminem and Rihanna might take it since it’s the most recent and currently the most ubiquitous. That being said, “Empire State of Mind” was inescapable for what seemed like forever but honestly I feel like that song came out in 2009. I think Eminem and Rihanna will take home the big trophy.

Best New Artist
Justin Bieber
Drake
Florence + the Machine*
Mumford & Sons
Esperanza Spalding

*Since I literally cannot stand the sight or sound of Justin Bieber and I think Mumford & Sons are good but not great I’m going with Florence + the Machine as a shout out to Carly Brown.

Song of the Year
Ray LaMontagne - "Beg Steal or Borrow"
Cee Lo Green - "Fuck You"*
Miranda Lambert - "The House That Built Me"
Eminem (featuring Rihanna) - "Love the Way You Lie"
Lady Antebellum - "Need You Now"

*Again this one is a close call between “Love the Way You Lie” and “Fuck You” so maybe Cee Lo will grab this one – he certainly deserves it.

Best Pop Performance by a Duo or Group With Vocals
"Glee" cast - "Don't Stop Believin' (Regionals Version)"
Maroon 5 - "Misery
Paramore - "The Only Exception"
Sade - "Babyfather"
Train - "Hey, Soul Sister (Live)"*

*Since the Glee cast is technically not a real music group I’m not sure why they are nominated and honestly I’m not super impressed with any of these choices. I guess I’ll go with Train even though Paramore might take.

Best Pop Collaboration With Vocals
B.o.B, Eminem and Hayley Williams - "Airplanes II"*
Herbie Hancock, Pink, India.Arie, Seal, Konono No. 1, Jeff Beck and Oumou Sangare - "Imagine"
Elton John & Leon Russell - "If It Wasn't For Bad"
Lady Gaga and Beyoncé - "Telephone"
Katy Perry and Snoop Dogg - "California Gurls"

*I absolutely love “Airplanes” – can’t get enough of it.

Best Rock Performance by a Duo or Group With Vocals
Arcade Fire - "Ready to Start"
Jeff Beck and Joss Stone - "I Put a Spell on You"
The Black Keys - "Tighten Up"*
Kings of Leon - "Radioactive"
Muse - "Resistance"

*The Black Keys have been all over the radio and TV this year – I mean seriously, every single commercial on television features a song by them. Plus, they are phenomenal live – “Tighten Up” gets my vote.

Best Hard Rock Performance
Alice in Chains - "A Looking in View"
Ozzy Osbourne - "Let Me Hear You Scream"
Soundgarden - "Black Rain"
Stone Temple Pilots - "Between the Lines"*
Them Crooked Vultures - "New Fang"

*Another tough call as all five options represent some of the biggest guns in rock and roll. That being said, I think I’m going to have to go with “Between the Lines” for this year.

Best Rock Song
Neil Young - "Angry World"
Mumford & Sons - "Little Lion Man"
Kings of Leon - "Radioactive"
Muse - "Resistance"
The Black Keys - "Tighten Up"*

*I have to go with The Black Keys again for this one.

Best Alternative Music Album
Arcade Fire - The Suburbs
Band of Horses - Infinite Arms
The Black Keys - Brothers*
Broken Bells - Broken Bells
Vampire Weekend - Contra

*Although I loved seeing Band of Horses live this year, The Black Keys should take this one as well. (By the way, what constitutes "Alternative" music sure has changed since Nirvana ran the show).

Best Rap Song
Jay-Z and Alicia Keys - "Empire State of Mind"
Eminem and Rihanna - "Love the Way You Lie"*
Eminem - "Not Afraid"
B.o.B (featuring Bruno Mars) - "Nothin' on You"
Jay-Z and Swizz Beatz - "On to the Next One"

*This one may come down to Eminem vs. Eminem and although I think “Not Afraid” succeeds in being both gritty and inspiring at the same time, I think people really could not get enough of “Love the Way You Lie.”

Best Rap Album
B.o.B - The Adventures of Bobby Ray
Drake - Thank Me Later
Eminem - Recovery*
Jay-Z - The Blueprint 3
The Roots - How I Got Over

*I feel like I’m being repetitive but then again Eminem did earn an astonishing 10 nominations this year. I predict Eminem takes home the trophy with Jay-Z nipping at his heels.

Best Country Song
George Strait - "The Breath You Take"
Zac Brown Band - "Free"*
Miranda Lambert - "The House That Built Me"
Gretchen Wilson - "I'd Love To Be Your Last"
The Band Perry - "If I Die Young"
Lady Antebellum - "Need You Now"

*Zac Brown Band seems to be the favorite but I think both Miranda Lambert and Gretchen Wilson put out stellar albums that include these unforgettable songs.

Best Country Album
Dierks Bentley - Up on the Ridge
Zac Brown Band - You Get What You Give
Jamey Johnson - The Guitar Song
Lady Antebellum - Need You Now*
Miranda Lambert – Revolution

*Five great choices as these are five of country music’s biggest acts. I’m partial to Dierks Bentley and Miranda Lambert but Lady Antebellum and Zac Brown Band have been getting a ton of airplay while Jamey Johnson is billed as country’s biggest badass. Tough choice but I’m thinking Lady Antebellum might grab this one.

Best Americana Album
Rosanne Cash - The List
Los Lobos - Tin Can Trust
Willie Nelson - Country Music
Robert Plant - Band of Joy*
Mavis Staples - You Are Not Alone

*While I think this is a very strange name for a category there are clearly some heavy hitters on this list of nominees. Though I am a big fan of Rosanne Cash and Willie Nelson I will always put Led Zeppelin’s notorious front man, Robert Plant, at the top of my list.

Thursday, December 2, 2010

The Godfathers Of Outlaw Country



One of the godfathers of outlaw country is none other than Hank Williams – a man who is arguably one of the greatest country music stars of all time. Even though he was basically unable to read or write music, he charted eleven number one songs between 1948 and 1953 including hits such as “Your Cheatin' Heart,” “Hey Good Lookin’” and “I'm So Lonesome I Could Cry.” Whether you’re a country fan or not, I’m pretty sure that you know at least one of these songs – in fact you may even know the words to them.

Unfortunately, Williams had some drug and alcohol problems that led to his demise. On August 11, 1952, Williams was fired from the Grand Ole Opry as he was told not to return until he was sober. He died at age 29 and his death is widely believed to have resulted from a mixture of alcohol and drugs.

As of October 31, 2010, Hank Williams was officially reinstated into the Grand Ole Opry. A press statement said, “Hank Williams was the reason the Grand Ole Opry exists. Without him, this organization operates on false pretenses, and we are ashamed to have managed this American Institution without giving Hank his due.”



Hank Williams’ songs have been recorded by hundreds of other big names such as Bob Dylan, Cake, Johnny Cash, Tony Bennett, Patsy Cline, Ray Charles, Louis Armstrong and Tom Waits. He is a legend in the music business – a trait that he passed down to his son, Hank Williams, Jr. who is not only a professional singer but is also one of the most famous outlaw country singers of all time. Hank Williams Jr.’s most well-known song is “A Country Boy Can Survive” which reached number two on the Billboard Hot Country Singles charts in early 1982. Since 1984 he has won multiple awards from the Academy of Country Music and the Country Music Association, as well as four Emmys and one Grammy.

As someone who has played and made albums with Waylon Jennings, Toy Caldwell, Marshall Tucker Band and Charlie Daniels, it is no surprise that he has influenced younger country artists of today. He has had so much of an impact that recently, Hank Williams, Jr. has been referenced in more than few country songs by some of the genre’s biggest stars:

Gretchen Wilson – “I Got Your Country Right Here”

Gimme some Waylon
Little bit of that Ramblin’ Man
Our country boys can't survive
Can I get a little hand for Hank?

Jason Aldean – “Crazy Town”

Bend those strings 'til the Hank comes out
Make all the drunk girls scream and shout
We love it, we hate it, we're all just trying to make it
In this crazy town

Jake Owen – “Eight Second Ride”

We went riding round rocking to the sound of “Country Boy Can Survive”
And I knew then that she was my kind of girl cuz she was singing every single line


There’s no question that mentioning either Hank Williams or Hank Williams, Jr. gives artists street cred. They know that giving a shout out to the pioneers of their craft is never a bad thing.

Wednesday, December 1, 2010

Where the hell is Gretchen Wilson?


For someone who was winning Grammys while Carrie Underwood was still competing on American Idol, Gretchen Wilson has been strangely under the radar for the last few years. Although there is no question that country music has recently experienced a new wave of popularity, I would argue that Gretchen Wilson was one of the first artists to bring country music back into the limelight.

She made her debut in 2004 with the Grammy Award-winning single “Redneck Woman,” a number-one hit on the Billboard country charts. The song served as the lead-off single of her debut album, Here for the Party. Wilson followed this album one year later with All Jacked Up, the title track of which became the highest-debuting single for a female country artist upon its 2005 release.

On a negative note, Wilson was the victim of one of Kanye West’s first outbursts when he threw a fit after losing to Wilson in the American Music Awards’ Best New Artist category. Although these days Kanye acting like a whiny bitch is par for the course, (see his behavior towards yet another female country artist at the 2010 MTV Video Music Awards) back in 2004 people couldn’t believe that he had the audacity to call Wilson’s music “bullshit.”

Having nothing to do with Kanye, after 2005 Wilson seemed to fall off the planet. Even though she released albums both in 2007 (One Of The Boys) and in March 2010 (I’ve Got Your Country Right Here) we haven’t seen Wilson on TV or anywhere else for a while and I can’t figure out why. Over the last six years Wilson has charted 13 singles on the Billboard country charts, five of which reached the Top Ten: the Number One “Redneck Woman,” as well as “Here for the Party” (#3, 2004), “When I Think About Cheatin’” (#4, 2004), “Homewrecker” (#2, 2005) and “All Jacked Up” (#8, 2005). The album Here for the Party was certified five times Multi-Platinum by the RIAA for sales of five million copies, while All Jacked Up was certified platinum. In just six years, Wilson has sold over six million records worldwide.

So where the hell is she and why aren’t her songs getting airplay? I’ve listened to a few tracks from her latest album, I’ve Got Your Country Right Here, and it’s great stuff. My favorites so far are the title track, along with “Work Hard, Play Harder” and “Outlaws And Renegades.” If you’re a country fan do yourself a favor and listen to a few of her new songs. Carrie Underwood, Miranda Lambert and Taylor Swift may be the most popular female country names out right now (and don’t get me wrong, I think Underwood and Lambert are sensational) but Wilson may be the most badass female country singer out there. Listen to her new album – you won’t be disappointed.

Sunday, November 28, 2010

The Biggest Stage On Earth


Since the show aired in 1975, Saturday Night Live (SNL) has not only been THE place for budding comedic talent to become famous but it has also been THE place where musicians have the opportunity to perform for millions of viewers at home. If you are a musician and you get invited to play on SNL you know you’ve made it – or at least that you’re on your way.

Right out of the gate this show had some big names take their stage including Randy Newman, Art Garfunkel and ABBA – and that was just in 1975. Since then the names have become increasingly star-studded and some of the performances have become legendary. The fact that a television show, which is basically designed as a sequence of comedic sketches, could bring in such renowned talent definitely speaks to its credentials but here’s the question: How did it become such a popular (and at times necessary) venue for artists? Why have musical acts always been so drawn to performing there? Was it because they figured it was the best way to gain exposure? Since MTV didn’t exist until 1981 was it one of the only ways to get yourself on TV while playing music? Or maybe it was the idea of putting famous actors, comedians and musicians in the same place.

Either way, in the 35 years SNL has been on the air, an impressive list of artists have taken the stage, sometimes several years in a row, making it arguably the most sought after music venue of all time. Here is my list of the best of the best of the biggest names with no repeats:

1976 – Jimmy Cliff, Patti Smith, Carly Simon, James Taylor, John Prine, Joe Cocker
1977 – The Kinks, Chuck Berry, Santana, Jackson Browne, Willie Nelson, Ray Charles
1978 – Bonnie Raitt, Billy Joel, Van Morrison, The Rolling Stones
1979 – Blondie, Bob Dylan, Tom Petty, David Bowie
1980 – Sam & Dave, Paul McCartney, Aretha Franklin, James Brown
1981 – Prince, Rod Stewart, Meat Loaf
1982 – John Cougar Mellencamp, The Allman Brothers Band, Elton John, Queen, The Clash
1983 – Stevie Wonder, Michael McDonald, Stevie Nicks
1984 – Billy Idol, Billy Squire, Robert Plant & the Honeydrippers
1985 – Tina Turner, Bryan Adams, Sade
1986 – Stevie Ray Vaughan, Run-DMC, Lou Reed
1987 – Roy Orbison, LL Cool J, Sting, The Cars, Cher
1988 – Randy Travis, Keith Richards, Tracy Chapman
1989 – Dolly Parton, Don Henley, Neil Young
1990 – Aerosmith, Eric Clapton, Mariah Carey
1991 – Whitney Houston, The Black Crowes, Public Enemy, Skid Row
1992 – Nirvana, Red Hot Chili Peppers, En Vogue, Bruce Springsteen, Pearl Jam
1993 – Bon Jovi, Madonna, Peter Gabriel, Smashing Pumpkins, Stone Temple Pilots
1994 – Counting Crowes, Salt-N-Pepa, Snoop Doggy Dogg, Janet Jackson, Green Day, Hole
1995 – The Cranberries, Dave Matthews Band, TLC, Alanis Morissette, Bush, Foo Fighters
1996 – Tori Amos, Coolio, Tupac Shakur, Everclear, Soundgarden, Sheryl Crow, Fiona Apple
1997 – Live, Jewel, Oasis, Jane’s Addiction, Metallica, Sarah McLachlan
1998 – Garth Brooks, Natalie Imbruglia, Third Eye Blind, Puff Daddy, Beastie Boys, Lauryn Hill
1999 – Beck, Everlast, Barenaked Ladies, Lucinda Williams, Dr. Dre, Eminem
2000 – AC/DC, Christina Aguilera, Kid Rock, The Wallflowers, Jay-Z
2001 – Lenny Kravitz, Weezer, Destiny’s Child, Alicia Keys, Macy Gray, No Doubt
2002 – Faith Hill, The White Stripes, Beyonce, Eve, Norah Jones
2003 – Dixie Chicks, 50 Cent, Justin Timberlake, Britney Spears, Outkast, Pink
2004 – The Black Eyed Peas, Maroon 5, Toots & the Maytals, The Roots, Ben Harper
2005 – Kelly Clarkson, Gwen Stefani, Queens of the Stone Age
2006 – The Strokes, Mary J. Blige, Tenacious D, Ludacris
2007 – Keith Urban, Carrie Underwood, Kanye West
2008 – Gnarls Barkley, Lil Wayne, Kings of Leon, T.I.
2009 – Rihanna, Taylor Swift, Regina Spektor
2010 – Them Crooked Vultures, Jennifer Lopez, Kesha, Katy Perry, Florence + the Machine

Can you believe all those musicians have played on that same stage over the past 35 years? Neither can I.

Wednesday, November 24, 2010

Heart Wrenching Acting


Whether or not you’re a fan of Private Practice (the Grey’s Anatomy spinoff starring Kate Walsh as Addison Montgomery) you need to watch the episode where Charlotte (KaDee Strickland) gets raped. It is horrifying, heart wrenching and so real that you won’t be able to look away. It was also one of the bravest performances I’ve ever seen by a television actor.

But let me back up a minute. This show is based around Oceanside Wellness Group, a co-op private practice in Los Angeles where several types of medical practitioners reside under one roof. The doctors’ fields include Neonatal Surgery, Obstetrics, Alternative Medicine, Infectious Diseases, Critical Care, Reproductive Infertility, Pediatrics, Urology, Sexology, Psychiatry, Neurosurgery, Internal Medicine and Cardiothoracic Surgery, among others.

In the episode centered around Charlotte’s rape we find out that this no-bullshit southern broad can’t take pain killers for her severe wounds because of a pill problem she used to have. We know this only because she explicitly insists that she can’t take pain killers and as a result, we watch the excruciating pain she goes through as another doctor stitches her wounds without the help of anesthesia.

To say that KaDee Strickland’s performance in the rape episode was Emmy-worthy is a severe understatement. The anger, fear, embarrassment and agony in her eyes was palpable. It gave me the chills to watch a character who is usually tough as nails be subjected to the kind of horrific aftermath that rape leaves. In the subsequent episode we see Charlotte’s fellow doctors trying to help but it only makes it worse. Addison is the only one who knows she was raped – everyone else (including Charlotte's fiancĂ©e) thinks she was mugged. Charlotte wants everyone to treat her normally but there is nothing normal about the damage that was inflicted on this woman. The “aftermath” episode concludes with Charlotte scurrying over to fellow doctor Amelia’s office (also a former addict) to ask her to go to a meeting. If that’s not strength and bravery I don’t know what is.

Monday, November 22, 2010

Give The Gift Of Music


With Thanksgiving rapidly approaching (in three days to be exact) the holidays are definitely here and that means a slew of new albums will be hitting stores and iTunes at seemingly warp speed. Although it makes sense for artists and record labels to release new material as close to the holidays as possible some of the Tuesdays coming up have as many as 13 new discs released in one day. So how do you decide what’s worth it? If you’re looking to put a few albums in stockings this year or are thinking about giving iTunes gift cards to the ones you love here are some good choices to consider:

Released November 16:

Kid Rock - Born Free
Nelly - 5.0
Pink - Greatest Hits…So Far!!!
Rascal Flatts - Nothing Like This
Rihanna - Loud
Bruce Springsteen - The Promise (compilation of unreleased songs from Darkness on the Edge of Town sessions)
Keith Urban – Get Closer

Here are a few to look forward to just in time for the holidays:

November 22


Kesha – Cannibal
Kanye West - My Beautiful Dark Twisted Fantasy

November 30

Black Eye Peas - The Beginning
Flo Rida - Only One Flo (Part 1)
Ron Isley - Mr I

December 7

T.I. – No Mercy
Natasha Bedingfield - Strip Me
Daft Punk - Tron Legacy (Soundtrack)

December 14

Crystal Bowersox - Title TBA
Michael Jackson - Michael
Young Jeezy - TM 103